ILARIA ROSSELLI DEL TURCO
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Ilaria's Notes

What Is Mezzotint ?

26/4/2022

6 Comments

 
 What is mezzotint ?


Mezzotint is a printmaking technique where the surface of a copper plate is worked with special tools in order to produce an image. The technique is part of a family of techniques called intaglio, where once the plate (matrix) is ready for printing and ink is applied, the ink will sit in grooves and pits lower than the surface of the plate.


A mezzotint is an original print: this means that the print is not a reproduction of another existing artwork, like a digital print would be a photocopy of a drawing or painting for example, but is an original in itself. Original prints may be part of an edition; in the case of a mezzotint the edition generally is made of only a few dozens as the copper plate degrades after a certain number of impressions. Some mezzotints have larger edition because the artist has had the plate steelfaced ( plated with a thin layer of steel) which makes it harder hence more durable. 



Picture
The characteristic of mezzotint is that it is a tonal technique ( no lines !): the image is created by producing black, gray and white areas, and it is possible to obtain some very smooth transitions between these different shades. Mezzotint, also called maniera nera in Italian, manière noire in French and manera negra in Spanish, is well known for producing the richest and darkest black of all the intaglio techniques. 


Mezzotint is a very laborious process as it needs a long preparation before the artist can even start working on the image. The plate needs to be roughened up with a special tool, called a rocker, that indents the surface with thousands and thousands of small pits that will later function as receptacles for ink. This preparation takes many hours, depending on the size of the plate. 
Once the surface is ready, in order to produce an image the artist has to scrape with a blade or smooth the metal with a burnisher so that the pits become more shallow (and will produce grays once printed) or disappear altogether ( for whites). This too is a lengthy process. 


Once the artist is happy with the image on the plate, it is time for printing it on paper. The plate is covered in creamy ink, which is then carefully wiped with a gauzy cloth and with the palm of the hand  so that the excess is removed and the ink is only left in the pits. The plate is then placed flat on the bed of a printing press with a sheet of damp paper on top and as they pass under the roll the ink is transferred from the plate to the paper: the image finally appears in black and white. ​
6 Comments
Fernanda link
28/4/2022 08:16:43 pm

amazing! I'm grateful for your generous explanation! awesome process. still don't quiet understand....I guess it is complex. you are amazing!

Reply
Cristian link
2/5/2022 09:10:49 pm

Thank you Ilaria, for the explanations! You do a great job. Very good works.

Reply
Karen Fabian
4/5/2022 12:37:14 am

Thank you for the information on the mezzotint process. I’ve always wanted to learn this form of printmaking.

Reply
Richard Weber
13/12/2022 12:18:05 am

When was the first color mezzotint picture produced

Reply
Ilaria
13/12/2022 10:38:50 am

The first coloured mezzotints appeared at the end of the 18th century when mezzo was the technique of choice for reproducing paintings.

Reply
Y
8/3/2023 05:19:08 pm

love your blog and work. can i ask if you typically steel face your plates?

Reply



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    Ilaria Rosselli Del Turco is an Italian painter living in London. 

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